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But something about each movie was incredibly compelling. As such, EWS presents a disturbing commentary on misogyny, as women in the film, and in reality, and the concept of women as objects of pleasure are co-opted for commercialism—packaged, bought, used, and thrown out, by the men who run the world. The pentagram has numerous historical uses, from mathematics—the symbol for the "golden ratio"—through Western, Eastern, religious, and occult symbology. This all gets into EWS 's darkest aspects; sexual abuse of women. The illogical seems more logical then. An antiwar film, Fear and Desire displays early warning signs of what later become common themes throughout Kubrick's filmography; Mazursky plays Sidney , a soldier who kills a local peasant girl while he's stranded in enemy territory. While written purely from my own interest and not for profit, I've excluded many ideas with the intention of expanding it all into a book—which would be for sale—so, stay tuned. Kubrick isn't just exploring the sexual psychology between a husband and wife, but also the powerful role that socioeconomic class and the culture of the ultrawealthy elite play in shaping aspects of society— including the sexual psychology of everyday people—in often unseen ways. The Cupid and Psyche story alludes to "mystery religions" which were a kind of early cult involving "initiates" called mystai mystics. And it carries on, mise-en-abyme, into the abyss…. Kreider wrote that the film's initially poor reception was "generally blamed on a miscalculated ad campaign". EWS has a subtly antithetical design, conveying a story in a way that people are unaccustomed to receiving stories, leaving many audience members scratching their heads.

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